Free Essays on Michelangelo

Michelangelo Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo’s poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo’s sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it’s many revisions trying to complete his vision. Sculpture was Michelangelo’s main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo Buonarroti was called to Rome in 1505 by Pope Julius II to create for him a monumental tomb. We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves. The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active and contemplative life- representative of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the pope’s tomb when Julius commanded him to fresco th e ceiling of t! he Sistine Chapel to complete the work done in the previous century under Sixtus IV. The overall organization consists of four large triangles at the corner; a series of eight triangular spaces on the outer border; an intermedi... Free Essays on Michelangelo Free Essays on Michelangelo Michelangelo the Optimistic Artist Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo’s poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo’s sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it’s many revisions trying to complete his vision. Sculpture was Michelangelo’s main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo Buonarroti was called to Rome in 1505 by Pope Julius II to create for him a monumental tomb. We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves. The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active and contemplative life- representative of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the pope’s tomb when Julius commanded him to fresco the ceiling of the Sistine Chapel to complete the work done in the previous century under Sixtus IV. The overall organization consists... Free Essays on Michelangelo Michelangelo Buonarroti was born the second of five brothers on March, 6,1475 in a small village called Caprese, in Tuscany. Buonarroti's mother, Francesca Neri, was too sick and frail to nurse Michelangelo, so he was placed with a wet nurse, in a family of stone cutters, where he, "sucked in the craft of hammer and chisel with my foster mother's milk. When I told my father that I wish to be an artist, he flew into a rage, 'artists are laborers, no better than shoemakers." Michelangelo’s mother died when he was only six years old, and his father, recognizing his intelligence sent him off to a boarding school. As a child, Michelangelo was moody, secretive, distrusted people, and was quick to burst into fits of anger. His father was a minor official of Florence, with connections to the ruling Medici family. When Michelangelo turned 13-years old agreed to apprentice in the workshop of Domenico Ghirlandaio shocking and enraging his father. After about one year of learning the art of fresco, Michelangelo went on to study at the sculpture school in the Medici gardens and shortly thereafter was invited into the household of Lorenzo de' Medici, the Magnificent. During the years he spent in the Garden of San Marco, Michelangelo began to study human anatomy. In exchange for permission to study corpses, something forbidden by the church, those who gave him permission received a wooden crucifix, carved exquisitely with Christ’s face. His contact with the dead bodies caused some health problems in him, which led to constant interruptions of his studies. By the time he was sixteen, Michelangelo had sculpted both the Battle of the Centaurs, and the Madonna of the Stairs. After the death of Lorenzo de’ Medici, Michelangelo’s generous patron and the father figure in his life, Florence was divided as many political parties fought for command. Michelangelo moved to Rome where he was able to examine many newly unearthed classical st... Free Essays on Michelangelo Michelangelo was born in 1475 in Caprese, Italy. He considered himself a citizen of Florence and requested that his body be buried there upon his death, which it was in 1564. If between these years, Michelangelo made his mark upon are through his painting, sculpture, architecture, and even poetry to become one of the greatest artists on of all time. At age 13 he began studying with the painter Domenico Ghirlandaio, best known for his frescos in the Sistine Chapel depicting the calling of the first apostles, Peter and Andrew. After 2 years with Ghirlandaio, Michelangelo moved on to the Medici gardens where he learned sculpture. The Medici were one of the ruling families of Florence and he became acquainted with two future popes, Leo X and Clement VII. The early style of Michelangelo is best portrayed by his statue of David, of David and Goliath fame, which he produced from 1501 to 1504 in Florence. The fiery intensity clearly visible on David’s face is a trademark of both Michelangelo’s work as well as his personality and work ethic. Shortly after completing David, Michelangelo was recalled to Rome for two commissions by Pope Julius II. The first of these was Julius’ actual tomb, which was planned to be the most grandiose tomb of its day. Some of Michelangelo’s finest sculpture work is shown here, including the statue of Moses, the Bound Slave, and the Dying Slave. The second commission for which Michelangelo was recalled was perhaps his most famous painting work ever, the frescoes on the ceiling of the Sistine Chapel in Rome. Here he lay face up on scaffolding high above the floor of the chapel and painted from 1508 until 1512. Most notable on the ceiling are the 9 scenes from the book of Genesis, the opening chapter of the Bible. These scenes include God creating darkness and light as well as Adam and Eve and the Flood. These scenes are surrounded by numerous other old testament subjects as well as the ancestors of Jesus Chri... Free Essays on Michelangelo Michelangelo Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo’s poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo’s sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it’s many revisions trying to complete his vision. Sculpture was Michelangelo’s main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality. Michelangelo’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. Michelangelo Buonarroti was called to Rome in 1505 by Pope Julius II to create for him a monumental tomb. We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves. The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active and contemplative life- representative of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the pope’s tomb when Julius commanded him to fresco th e ceiling of t! he Sistine Chapel to complete the work done in the previous century under Sixtus IV. The overall organization consists of four large triangles at the corner; a series of eight triangular spaces on the outer border; an intermedi...